For my series, Wait Watchers, I set up a camera in a heavy-traffic, public area and take hundreds of photographs as I perform mundane, everyday tasks as people pass by me. I then examine the images to see if any of the passersby had a critical or questioning element in their face or in their body language. I consider my photographs a social experiment and I travel the world in an attempt to photograph the reactions of a diverse pool of passersby.
I seek out places that are beautifully lit, allow for an interesting composition and, if possible, set up a scene that references ideal feminine beauty and societal expectations. I put the camera on a tripod, bench or with an assistant, in full view of the by-passing gazer, set the focus and exposure and take hundreds of photographs.
The images capture the gazer in a Cartier-Bresson, microsecond moment where the shutter, the scene, my actions and their body language align and are presented to the viewer. While I do not know what they are thinking, the gazer appears to be visually troubled that I am in front of them.